I began photographing out of curiosity, with simple tools and improvised solutions—a reversed kit lens, a diffuser shaped from a tissue box, and an urge to see what lay beyond the obvious

Macro became my first language, revealing fragile worlds where patience, light, and attention mattered more than equipment. Over time, my lens learned to move—into rain-soaked forests at night, where silence guides each step and encounters, sometimes with pit vipers at close range, are shaped by respect rather than pursuit; and into open skies, where birds in flight and moments of action demand instinct and timing. I see nature as endlessly diverse and generous in its love, and I photograph as a mere witness to its boundless, colourful life. For me, photography is not about possession or spectacle, but about presence—walking lightly, observing deeply, and letting the world reveal itself.